In July 2015, a group of us gathered, “Black Poetry After the Black Arts Movement,” an NEH-funded Institute that sought to respond to “the resurgence of interest in contemporary poetry, its expanded production and wide circulation.”
Ten years later, Laura Vrana, Sequoia Maner, and I decided to produce a notebook of entries reflecting on the institute.
Entries:
• Lasting Impacts of Black Poetry After the Black Arts Movement (forthcoming)
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