Thursday, April 30, 2026
A New Notebook on ProQuest Dissertations and Theses
Amiri Baraka and Dissertations
1964 – 1969: 151970 – 1979: 171
1980 – 1989: 131
1990 – 1999: 336
2000 – 2009: 625
2010 – 2019: 494
2020 – 2026: 219
As the numbers reveal, interest in Baraka picked up steadily over the decades, reaching a peak during the 2000s. As a poet, essayist, cultural critic, and leading figure of the Black Arts Movement, Baraka was particularly active and visible in public realms during the 1970s. However, the scholarly interest, at least in terms of dissertations and theses, lagged behind that period of public prominence.
Taken together, the 2000s and 2010s constituted the height of interest in Baraka studies. That’s when we see the largest number of entries on him.
Notably, the slight dip in the 2010s, compared to the 2000s, and the seeming decline in the 2020s, suggest a shift rather than a disappearance of interest. It may be that it is difficult for even major literary figures, particularly those who aren't novelists, to remain at high levels of citation over consecutive decades.
Wednesday, April 22, 2026
Rethinking the “Literature as History” Frame in African American Fiction
Black readers often enter an introductory African American literary studies course expecting to learn more about Black history, and that expectation can place instructors and texts in the position of redirecting attention toward the imaginative, formal, and aesthetic dimensions of the field.
I wanted to test whether the Literary Navigator Device might clarify the basis, and the limits, of this expectation concerning history and literary production. I began by selecting “Novel” as the reading form and “21st century” as the period of publication, maintaining these filters throughout the search. The Navigator yields 932 contemporary novels by Black writers.
Next, I selected “Historical fiction” as the genre, which yielded 57 titles. After clearing that genre filter, I selected “Neo-slave narrative,” which produced 18 results. These results suggest that while historically oriented narratives remain visible and influential, they constitute a relatively small portion of contemporary Black fiction.
The expectation that African American literature primarily revisits the past reflects a narrow slice of the field rather than its full range. The Literary Navigator Device makes it possible to see that a much larger number of novels fall outside of a literature-as-history framework.



