By Lakenzie Walls and Howard Rambsy II
One of the characters, a young Black man named Riley wears colored contacts and bleached hair, and, as we're informed by the narrator, "this wasn’t any kind of self-hatred thing” (1). Another Black man, referred to as Brother Man, "was burly but not violent and rather liked to regard himself as an intellectual in a misleading package" (4).
Then, there is a visual artist Kevan, who is hundreds of miles away from the main action in the story, but would later draw images of Black men, like Riley and Brother Man, killed by police (8). Another is Paris Larkin, who longs for a superpower to "make herself visible" (10). Like her boyfriend Riley, she is devoted to cosplay.
What does this "black network narrative" lead you to consider about Thompson-Spires as a storyteller? That is to say, what's one thought you had about the creativity, style of writing, organizational approach, or artistic capabilities of a writer who composes a story that connects a variety of African American characters?