Monday, August 27, 2018

Diversity, Culture, and Comics


This semester, I'm co-teaching a course on diversity and comic books with one of my colleagues Stephyn Phillips, who directs the writing center at the university. We proposed to teach the course a year ago, and I'm excited that we're finally getting to do so now.

We're covering Wonder Woman, Black Panther, DestroyerSandman, Noble, and The Killing Joke. Our discussions will concentrate on heroes, villains, diversity, writing, imagery, race and representation, creativity, multimodal literacy, and cultural identities.

I've been thinking, talking, and writing about comic books for some time now, so I'm excited to address the subject of comics and diversity in a classroom context.

Covering Victor LaValle's Destroyer this semester
Brief Publishing Timeline of Lion Forge's Catalyst Prime Comic Books
A checklist of a few writings by Elana Levin
Watching Reginald Hudlin's Black Panther series with students

Related:
A Notebook on Comic Books

Monday, August 20, 2018

Roundup of coverage on Eve L. Ewing and Marvel's Riri Williams/Ironheart

Image source

Well, I can't say that I predicated this exciting news in the world of comics books. This morning, Marvel announced that Eve Ewing will write their superhero Riri Williams, also known as Ironheart. I've been primarily acquainted with Ewing's poetry, and I've been awaiting her scholarly work. So now, similar to Ta-Nehisi Coates, we'll witness Ewing writing across even move genres.

[Related: Roundup of coverage of Captain America, Ta-Nehisi Coates]

Here's a roundup of coverage on Ewing and Riri Williams.

2017
June 22: "when someone starts the change dot org petition for me to write for Marvel...lol" - Eve L. Ewing - Twitter
November 6: "@Marvel y’all still hiring buzzy black writers or nah." - Eve L. Ewing - Twitter
November 7: ".@eveewing 100%" [for Ironheart writing job] - Eliel Lucero - Twitter
November 7: "I would actually love to do this and I think I got the chops..." - Eve L. Ewing - Twitter
November 7: "Marvel: Hire Eve Ewing for...'Invincible Iron Man' #IronHeartEve" - Tirhakah Love - Change.org
November 10: Eve Ewing On The Marvel Comics Shakeup - Kendra James - Shondaland

2018
August 20: "I am writing the series" - Eve L. Ewing - Twitter
August 20: A brief thread on the best way to support a comic book - Eve L. Ewing - Twitter
August 20: Writer Eve L. Ewing Is Bringing Ironheart into the Spotlight - Jamie Frevele - Marvel
August 20: Chicago's Eve Ewing will pen Marvel's 'Ironheart' - Darcel Rockett - Chicago Tribune
August 20: SSA's Eve Ewing is Writing a Marvel Series - The Chicago Maroon
August 20: Ewing Pens a New IRONHEART Series Coming This Fall - Joe Grunewald - The Comics Beat
August 20: Eve L. Ewing will write new Ironheart comic for Marvel - Chrisitian Holub - EW
August 20: Eve L. Ewing Picks up 'Ironheart' series for Marvel - Autumn Kelly - Newsweek
August 20: Eve Ewing and Kevin Libranda Launch New Riri Williams - Rich Johnson - Bleeding Cool
August 20: New Ironheart Series Is Being Written by Chicago Native Eve Ewing - Charles Pulliam-Moore - io9
August 20: Ironheart lands new suit, first from Eve Ewing - Jacob Oller - Syfy
August 20: Marvel Launching 'Ironheart' Comic Book Series - Graeme McMillan - Hollywood Reporter
August 20: Chicago Writer Eve L. Ewing Is Writing...A Badass Black Superhero - Tonja Renee Stidhum - Blavity
August 20: Chicago Poet Eve Ewing to Write Marvel's Ironheart - Justin Kamp - Paste Magazine
August 20: Ironheart takes off in new Marvel solo series - Alex Gilyadov - IGN
August 20: The Tweets That Got Eve L. Ewing the Ironheart Gig - Rich Johnston - Bleeding Cool
August 20: Ewing and Libranda on Nov.'s “Riri Williamst” - Christopher Chiu-Tabet - Multiversity Comics

Related:
A notebook on comic books

Sunday, August 19, 2018

50 scholarly books on black poetry, 1997-2018


Here's a list of 50 51 books on black poetry, including literary histories and biographies on poets published between 1997 and 2018. Ok, it's certainly not an exhaustive list, but it's one in a series of entries I'm producing on scholarly works related to black poetry. That is to say, more soon.

1997: Jazz Poetry: From the 1920s to the Present by Sascha Feinstein
1999: The Furious Flowering of African American Poetry edited by Joanne V. Gabbin
1999: Dudley Randall, Broadside Press and the Black Arts Movement in Detroit, 1960-1995 by Julius E. Thompson
1999: The New Red Negro: The Literary Left and African American Poetry, 1930-1946 James Smethurst
1999: New Negro, Old Left William Maxwell
2000: Extraordinary Measures: Afrocentric Modernism and 20th-Century American Poetry by Lorenzo Thomas
2000: Performing Blackness: Enactments of African-American Modernism by Kimberly W. Benston
2001: Black Protest Poetry: Polemics from the Harlem Renaissance and the Sixties by Margaret Ann Reid
2001: Amiri Baraka: The Politics and Art of a Black Intellectual by Jerry Watts
2004: The Black Interior by Elizabeth Alexander
2004: Afro-Blue: Improvisations in African American Poetry and Culture by Tony Bolden
2004: Wrestling with the Muse: Dudley Randall and the Broadside Press by Melba Joyce Boyd
2004: Wild Blessings: The Poetry of Lucille Clifton Hilary Holladay
2004: "After Mecca": Women Poets and the Black Arts Movement by Cheryl Clarke
2004: Integral Music: Languages of African-American Innovation by Aldon Lynn Nielsen
2005: The Black Arts Movement: Literary Nationalism in the 1960s and 1970s by James Smethurst
2006: New Thoughts on the Black Arts Movement ed. b Lisa Gail Collins and Margo Crawford
2006: Fettered Genius: The African American Bardic Poet from Slavery to Civil Rights by Keith D. Leonard
2006: Lucille Clifton: Her Life and Letters by Mary Jane Lupton
2006: Understanding Rita Dove by Pat Righelato
2008: The Heritage Series of Black Poetry, 1962-1975 ed. by Lauri Ramey
2008: Avant-Garde Performance and the Limits of Criticism by Mike Sell
2009: Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic by Amy Abugo Ongiri
2009: Book of Rhymes: The Poetics of Hip Hop by Adam Bradley
2009: The Cultural Politics of Slam Poetry by Susan B. A. Somers-Willett

2010: Black Arts West: Culture and Struggle in Postwar Los Angeles by Daniel Widener
2011: The Black Arts Enterprise by Howard Rambsy II
2011: Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry by Evie Shockley
2011: The Other World of Richard Wright: Perspectives on His Haiku by John Zheng
2012: The Muse Is Music Jazz Poetry from the Harlem Renaissance to Spoken Word by Meta Duewa Jones
2012: Jazz Griots: Music as History in the 1960s African American Poem by Jean-Philippe Marcoux 
2012: The Grey Album: On the Blackness of Blackness by Kevin Young
2013: The Afro-Modernist Epic and Literary History: Tolson, Hughes, and Baraka by Kathy Lou Schultz
2013: Amiri Baraka and Edward Dorn; The Collected Letters ed. by Claudia Moreno Pisano
2013: Visionary Women Writers of Chicago’s Black Arts Movement by Carmen L. Phelps
2013: Nikki Giovanni: A Literary Biography by Virginia C. Fowler
2013: Understanding Etheridge Knight by Michael S. Collins
2014: Black Music, Black Poetry edited by Gordon E. Thompson
2014: Freedom Time: The Poetics and Politics of Black Experimental Writing by Anthony Reed
2014: Rhyme's Challenge: Hip Hop, Poetry, and Contemporary Rhyming Culture by David Caplan
2014: Visible Man: The Life of Henry Dumas by Jeffrey Leak
2014: Richard Wright and Haiku by Yoshinobu Hakutani
2015: Imagine the Sound: Experimental African American Literature after Civil Rights by Carter Mathes
2016: The Magic of Juju: An Appreciation of the Black Arts Movement by Kalamu ya Salaam
2016: African American Haiku: Cultural Visions by John Zheng
2017: Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics by Margo Crawford
2017: Epistrophies: Jazz and the Literary Imagination by Brent Hayes Edwards
2018: May We Forever Stand: A History of the Black National Anthem by Imani Perry
2018: The Room Is on Fire: The History, Pedagogy, and Practice of Youth Spoken Word Poetry by Susan Weinstein
2018: Robert Hayden in Verse: New Histories of African American Poetry and the Black Arts Era by Derik Smith
2018: The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry (forthcoming) by Emily Rutter

Related:
Books on Hip Hop
A partial list of Black Arts-related scholarship, 2004 - 2015
A checklist of book lists

Wednesday, August 8, 2018

NEH Summer Institute: Frederick Douglass and Literary Crossroads



Good news: the National Endowment for the Humanities (NEH) awarded me a grant to direct a one-week institute for twenty-five school teachers on Frederick Douglass and African American literary studies. The institute will take place in July 2019.

We'll spend a week discussing scholarship and teaching practices related to Frederick Douglass's Narrative of the Life of Frederick Douglass, select chapters from Douglass’s My Bondage and My Freedom, African American Book History, and visual culture studies.

My colleagues Jill Anderson, Tisha Brooks, Elizabeth Cali, and Jessica DeSpain will lead sessions. In addition, we'll have lectures by visiting professors: Joycelyn Moody, Barbara McCaskill, and Courtney Thorsson. The Institute will receive support from the Interdisciplinary Research and Informatics Scholarship Center and Educational Outreach at SIUE.

I've been thinking and writing about Douglass for years now, so I'm really excited about the opportunity to work on this project that will include school teachers from across the nation.

More soon.

Friday, August 3, 2018

53 black women poets, 106 poems: Audio recordings



Continuing my studies of black women poets reading their works aloud, here's a roundup of 100 poems.

[Related: Listening to 100 black women poets reading 200 poems]

What follows are 53 different poets and links to them reading two of their poems:

• Elizabeth Alexander - "Praise Song for the Day" and "One Week Later in the Strange"
• Maya Angelou - "Phenomenal Woman" and "Still I Rise"
• Tara Betts - "Switch" and  "Erasure"
• Gwendolyn Brooks - "Song in the Front Yard" and "We Real Cool"
• Mahogany L. Browne - "Black Girl Magic" and "Redbone Shames the Devil"
• Tiana Clark - "The Ayes Have It" and "Magic"
• Lyrae Van Clief-Stefanon - "Migration" and "Shark Poem"
• Lucille Clifton - "Homage to My Hips" and "won't you celebrate with me"
• Wanda Coleman  - "Wanda, Why Aren't You Dead?" and "My Car"
• Jayne Cortez - "Find Your Own Voice" and "How Long Has Trane Been Gone"

• Kai Davis - "F*ck I Look Like" and "Aint I a Woman"
• LaTasha N. Nevada Diggs - "the originator" and "damn righ it's betta than yours"
• Rita Dove - "American Smooth" and "Reunion 2005"
• Camille T. Dungy - "Frequently Asked Questions: No. 5" and "Characteristics of Life"
• Eve L. Ewing  - "Arrival Day" and "April 5, 1968"
• Sarah Webster Fabio - "Sweet Song" and "Together / To The Tune Of Coltrane's 'Equinox'"
• Nikky Finney - "Left" and "Girlfriend's Train"
• Nikki Giovanni - "Ego-Tripping" and "Nikki Rosa"
• Rachel Eliza Griffiths - "The Dead Will Lead You" and "Verguenza"
• Amanda Gorman - "In this place: An American Lyric" and "Neighborhood Anthem"

• Monica A. Hand - "Black people sure can keep secrets" and "The Need to be touched speaks"
• francine j. harris - "Red is the Mess" and "suicide note #10: wet condoms"
• Harmony Holiday - "Adultery" and "What Jimmy Taught Me"
• Tonya Ingram - "Thirteen" and "Unsolicited Advice (after Jeanann Verlee)"
• Amanda Johnston - "Facing Us" and "We Named You Mercy"
• June Jordan - "Poem about My Rights" and "A Poem about Intelligence for My Brothers and Sisters"
• Allison Joseph - "Voice" and "Greeting Cards"  
• Robin Coste Lewis - "Self-Portrait as the Bootblack in Daguerre’s Boulevard du Temple" and "Reason"
• Audre Lorde - "1984" and "Echoes"
• Emi Mahmoud - "Mama" and "How to Translate a Joke"

• Jasmine Nicole Mans - "Footnotes for Kanye" and "You Gone Get This Work"
• Dawn Lundy Martin - "Mo[dern Frame]" and "If your book was a house, what does the foer look like?"
• Airea D. Matthews - "Wisdom" and "Prelude"
• Aja Monet - "What I've Learned" and "Is that all you got"
• jessica Care moore - "Black Statue of Liberty" and "You May Not Know My Detroit"
• Tracie Morris - "Project Princess" and "What the sister brother…"
• Thylias Moss - "All Is Not Lost When Dreams Are" and "Sunrise Comes to Second Avenue"
• Harryette Mullen - "Present Tense" and "We are Not Responsible"
• Marilyn Nelson - "Moonlily" and "Thompson and Seaman Vows, African Union Church"
• Porsha O. - "Angry Black Woman" and "Capitalism"

• Morgan Parker - "All They Want is My Money My Pussy My Blood" and "The History of Black People"
• Claudia Rankine - "Don't Let Me Be Lonely Part 2" and excerpt from "Citizen"
• Treasure Redmond - "Preachers" and "Bound"
• Sonia Sanchez - "Poem at Thirty" and "Poem for Some Women"
• Warsan Shire - "For Women Who Are Difficult to Love" and "Ugly"
• Evie Shockley - "question marks" and "philosophically immune"
• Patricia Smith - "Skinhead" and "shoulda been called jimi savannah"
• Tracy K. Smith - "One Man at a Time" and "I will tell you the truth about this, I will tell you all about it"
• Ebony Stewart - "Happy Father's Day" and "Eve"
• Natasha Trethewey - "Monument" and "Incident"

• Alice Walker - "I Will Keep Broken Things" and "You Confide in Me"
• Margaret Walker - "For My People" and "Molly Means"
• Jamila Woods - "Pigeon Man" and "Thirst Behavior"

Related:
A notebook on the sound of black women poets

Wednesday, August 1, 2018

Poetry, high school students, and Nikki Giovanni's Power Pose

Nikki Giovanni striking her classic power pose

In addition to covering issues concerning the content and sound of poetry with a group of high school students for two weeks, we also talked about power posing. After the initial rise of Amy Cuddy's popular TED Talk concerning the extent to which "Your Body Language Shapes Who You Are," there have been extensive debates concerning the validity of whether posing powerfully can make people feel powerful.

The students and I had been talking about strengthening our reading voices, and I also wanted them to consider their body language. At the start of our sessions, we would go through some exercises where we considered various poses. We did a hands on hips pose (known as the Wonder Woman or Super man pose). We did poses while sitting where we placed our hands behind our head.

Oh, and we also did a pose that I referred to as the "Nikki Giovanni power pose." On various occasions and then in many photographs, I've noticed Giovanni extend her arms wide open while tilting her head upward. It's a power pose. She obviously didn't invent this stance, but since we were discussing African American poetry, I liked adding her name to the mix. Too, in my coverage of poets, I've encountered many instances of Giovanni assuming versions of this particular power pose.

Later, while taking a look at poets reading their works, the students and I had more discussions about reading and body language. We noticed that poets reading from memory seemed to have far more ways of non-verbally communicating ideas with their bodies than poets who read from the page, which is not to say that poets who read from the page did not have ways of conveying ideas through body language as well.

In fact, Giovanni primarily reads from the page. But she's well-known for the bold and provocative talking that she does before, between, and after reading individual poems. And somewhere in the course of her readings, she makes time for wonderful power poses.

Related:
Poems by younger poets for younger students
Black poetry, high school students, and audio recordings
Language arts activities with high school students

Blogging about Poetry in July 2018

[Related content: Blogging about Poetry]

• July 25: Amiri Baraka's three most anthologized poems
• July 25: Remixing Amiri Baraka's RhythmBlues
• July 19: Poems by younger poets for younger students
• July 15: Black poetry, high school students, and audio recordings
• July 1: Blogging about poetry in June 2018