Wednesday, July 13, 2011
The Journey of Margaret Walker's "For My People"
Margaret Walker's poem "For My People" appeared in Poetry magazine in November 1937. Months later, her poem "The Struggle Staggers Us" appeared in the July 1938 issue of Poetry, and her poem "We Have Been Believers" appeared in the periodical in March 1939.
Walker's "For My People" was later included in Sterling Brown's anthology The Negro Caravan (1941).
Later, after having her poetry manuscript rejected a number of times, Walker won the Yale Series of Younger Poets award, and her poems were published under the title For My People (1942). The volume, which of course included the poem "For My People," received wide praise from reviewers.
Robert Kerlin mentioned and included an excerpt from Walker's poem in a late 1940s edition of his anthology Negro Poets and Their Poems.
In 1954, the Smithsonian released an album Anthology of Negro Poetry that Langston Hughes, Claude McKay, Gwendolyn Brooks, Sterling Brown, Countee Cullen, and Margaret Walker reading their poems. Walker provided a reading of "For My People."
From the late 1940s up until the mid 1960s relatively few anthologies featuring African American poetry appeared. But something special happened in publishing history beginning in the late 1960s.
More than sixty anthologies were published between 1965 and 1976, during a period often referred to as the black arts movement. The movement gave rise to "new black poetry," as it was called, but the publication of so many anthologies also brought large numbers of historically significant poets' works back into print, including Margaret Walker's poems.
Of all the works regularly reprinted in anthologies, Walker's "For My People" was one of the most anthologized poems. Between 1967 and 1974, Walker's poem appeared in more than 20 collections.
In 1970 alone, the poem appeared in Afro-American Literature: Poetry edited by William Adams; Right On! An Anthology of Black Literature edited by Bradford Chambers and Rebecca Moon; The Black American Experience: A New Anthology of Black Literature edited by Frances Freedman; Poetry of the Negro, 1746—1970 edited by Langston Hughes and Arna Bontempts [Hughes had died in 1967 but had edited previous editions of the collection); The Black Experience: An Anthology of American Literature for the 1970’s edited by Francis Kearns; Afro-American Voices, 1770's-1970's edited by Ralph Kendricks and Claudette Levitt; and Black American Literature edited by Darwin Turner.
In 1975, the Smithsonian released an album The Poetry of Margaret Walker, which included Walker, some years older now, reading several of her poems, including "For My People."
From the 1980s onward, Walker's poem is regularly included in anthologies. In 1998, the year that Walker died, the California Newsreel released a documentary, For My People: The Life and Writing of Margaret Walker.
"For My People" is included in such anthologies as The Norton Anthology of African American Literature (1997, 2003) and The Anthology of Modern American Poetry (2000).
Recordings of Walker reading her poem appear on Our Souls Have Grown Deep Like the Rivers (2000) and Every Tone a Testament: An African American Aural History (2001).
Black people have regularly read, recited, and performed Walker's poem at church programs and community cultural events. Leah Ward Sears, a former Chief Justice of the Supreme Court in Georgia, for instance, read Walker's poem for a Favorite Poem Project in 1999. Sears's reading of "For My People" was posted on youtube in 2008.
In a reading of the poem late in her life, Walker noted that "this is my supposedly, my signature poem that everybody knows. When you say this poem you say 'Margaret Walker;' when you say 'Margaret Walker,' you say 'For My People.'"
Teenage Black Girls, "Ego Tripping," and African American Literary History