Saturday, September 13, 2025

How book recommendations at a barbershop led to an online network to find Black literature

From STL PR 

Inspired by barbershop chats and a brotherly contest over hip-hop facts, the Black Lit Network is a digital resource designed to make African American literature more widely accessible. Southern Illinois University Edwardsville professor Howard Rambsy II co-leads the project. He discusses how a recent $1.6 million grant to SIUE for the project will boost its reach and impact. He also speaks to the significance of investing in efforts to amplify African American writers, works, and ideas – especially through a public higher education institution in the Midwest, and the larger St. Louis region.

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Wednesday, September 10, 2025

Zora Neale Hurston’s Short Stories of Love and Betrayal

A brief take on how Zora Neale Hurston’s short stories use infidelity and community gossip to transform private conflicts into public spectacles, blending humor and tension to depict Southern Black life.

Script by Kenton Rambsy


Monday, September 1, 2025

Toward a Preliminary Report on Black Women's Health and Wellness



This isn’t a flex, I promise, but over the last 15 years I have likely taught more Black women students than any other educator at my university. Along with my regular courses, since 2008, I’ve taught a first-year African American literature course that each year enrolled approximately 30 Black women undergraduates.

The students have had many accomplishments. They have done well in classes, become leaders on campus, graduated, and entered their professional careers. But there have also been challenges. Beyond academics, one pattern that stands out is the number of students who miss class days due to illness.

I'm not naive and realize that a student here and there might have other reasons for missing classes. I understand that. But after nearly two decades of close attention, I am convinced that the overwhelming majority of Black women who miss class and cite sickness are telling the truth. I’ve witnessed this more than most because, as noted, I’ve taught more Black women than most. 

Informal conversations with colleagues who also teach large numbers of Black women note the same pattern. Some have even observed that, on average, Black women students report sickness-related absences more often than other groups.

In the last decade, conversations about mental wellness among Black students have grown. Many now openly embrace therapy and other forms of support, which is encouraging.

But I have not seen the same level of discussion about physical health. Based on what I’ve witnessed in classrooms, that absence worries me. We would benefit from more visibility, more conversation, and more initiatives addressing Black women’s physical well-being.

We need to start now with preliminary reports at the very least. We can and should listen to Black women students, document their experiences, and advocate for real changes in campus health services and support systems.

Blogging about Poetry in August 2025

[Related content: Blogging about Poetry]

• August 30: Storytelling as Foundations for Black Poetry and Literary Studies

Sunday, August 31, 2025

What Dismantling DEI means for African American Literary Studies

A brief take on how recent efforts to dismantle diversity, equity, and inclusion programs threaten the institutional support and long-term viability of African American literary studies.
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Producing African American literary studies for the Public



Our Black Lit Network project is funded under the Mellon Foundation’s Public Knowledge initiative, which aims “to increase access to knowledge that helps to build an informed and engaged society.” Receiving this grant has been important in encouraging me to orient my mind and efforts toward producing work in accessible, public-facing terms. 

Scholars of African American literature are not always primed to reach the public at large. Much of our time and energy is understandably devoted to teaching classes, while the bulk of our publishing goes to specialized journals rather than newspapers, magazines, or other outlets designed for general audiences. 

I have engaged in public programming for decades, though such work has not always been a mandate of the field. My interest partly stemmed from a desire to connect my studies of Black Arts activities to contemporary contexts. In addition, when I directed the Black Studies program for several years, I was more inclined to develop public programming than I might have been had I worked solely within English. 

My work on the Black Lit Network has extended this public focus into digital fields and other realms. I have continued using this blog to share publicly oriented work, while also creating new initiatives: whiteboard animations, video essays, the Literary Navigator Device (previously known as the Novel Generator Machine), a Literary Data Gallery featuring data visualizations, a random generator for novel dedications, a podcast series, and more. 

Together, these developments allow me to present African American literary studies to the public in new and exciting ways.

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Saturday, August 30, 2025

Kickoff Event for SIUE Reads



There was laughter. There were fellowships. There were expressions of gratitude. There was the humming of a jazz tune. We had it all on August 26 at the kickoff event for SIUE Reads, our campus-wide reading project.

SIUE Reads is sponsored by the Hansen Humanities Network, made possible by a generous gift from Stephen and Julia Hansen.

At the opening event, we, the organizers, offered brief remarks, and the Hansens shared a few words about their gift.

It just so happened that we also had a special guest: my faculty mentor, Eugene B. Redmond. To pay tribute to him, I opened my remarks by humming Miles Davis’s "All Blues," a song Redmond had often hummed to open his readings.

More than 50 students attended the event. They mingled, received personalized “Welcome to SIUE Reads” notes I prepared for each of them, and picked up one of the following book selections: Ta-Nehisi Coates's Black Panther: A Nation Under Our Feet (2016), Jessica Nabongo's The Catch Me If You Can: One Woman's Journey to Every Country in the World (2022), Erika Engelhaupt's Gory Details: Adventures from the Dark Side of Science (2021), or Joy Harden Bradford's Sisterhood Heals: The Transformative Power of Healing in Community (2023).

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The Presence of Katherine Dunham and Judith Jamison Exhibit



On August 27 and 28, we hosted an exhibit "Power Poses, Movement, and the Presence of Katherine Dunham and Judith Jamison," which highlighted how posture, presence, and movement express embodied power, inaugurating a new series curated by African American literary studies. Sparked by Dana Williams’s November 18, 2024 talk at the National Museum of African American History & Culture, and the vivid images of Judith Jamison, the exhibit also traced how that moment catalyzed upgrades to SIUE’s Eugene B. Redmond Reading Room to create enhanced environments. 

Panels paired concise reflections on Jamison and Dunham with original poems and kwansabas by Angel Dye, Cindy N. Reed, and Danielle N. Hall, while introducing the kwansaba as a modern African American poetic form.